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If you have any doubt that the hashtag is a frighteningly powerful tool in our modern vocabulary, imagine a person you care about texting you that song’s title line out of the blue: “You’re beautiful.” Now think of the same person texting, “You’re #beautiful.” The second one is jokey, ironic, distant—and hey, maybe that’s what that person was going for. But it also hammers home that point that the internet too often asserts: You’re not as original as you once thought. “Beautiful” is analog, unquantifiable, one-in-a-million. #Beautiful, on the other hand, is crowded terrain. Ten more people have just tweeted about something or someone #beautiful since you started reading this sentence.
As more and more of our daily interactions become text-based — people preferring texting to phone calls, workplaces that rely heavily email and instant messaging—we’re developing ways to stretch our written language so it can communicate more nuance, so we can tell people what we mean without accidentally leading them on or pissing them off. Periods have becomemore forceful, commas less essential, and over the last few years, the hashtag has morphed into something resembling the fabled sarcasm font—the official keystroke of irony. Putting a hashtag in front of something you text, email, or IM to someone is a sly way of saying “I’m joking,” or maybe more accurately, “I mean this and I don’t at the same time.””
The ever-wise, ever-delightful Maira Kalman channels her love of libraries:
"I love the architecture of public libraries, the very large windows. Inside it’s polished, it’s quiet; during the day, the sun is usually streaming through one room or another. And all the people are sitting there together, but they’re all going to completely different places through the books they’re reading."
#repost #saint Josemaria Escriva #love this man of God #catholic #faith #christianity
“ [We] all need more than anything else to know human nature, to know the needs of the human soul; and they will find this nature and these needs set forth as nowhere else by the great imaginative writers, whether of prose or of poetry. ”
The way to develop good taste in literature is to read poetry… For, being the supreme form of human locution, poetry is not only the most concise, the most condensed way of conveying the human experience; it also offers the highest possible standards for any linguistic operation — especially one on paper.
The more one reads poetry, the less tolerant one becomes of any sort of verbosity, be that in political or philosophical discourse, be that in history, social studies or the art of fiction.”